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  • The Fuzz are Dead - The Coast article

    Myles Deck and the Fuzz are dead A short oral history of a rock band.
    Myles Deck and the Fuzz drink up together one last time. - Alison Lang
      ALISON LANG
    • Myles Deck and the Fuzz drink up together one last time.
    Five years ago, Myles Deck was bored. Night after night, he watched the usual array of Halifax bands go through the motions. The music wasn't bad, but something was missing. "I felt a good frontman was lacking in every show I went to," he says. "I wanted someone who was there, who you couldn't ignore."
    To that end, the drummer created his dream project---a band that made it OK to be cocky and unapologetic. Since then, Myles Deck and the Fuzz have released two full-lengths, two seven-inches, toured to Ontario and back twice, opened for Thrush Hermit and Monotonix, and---if you believe all the stories---pissed off endless bouncers and audience punters. They were committed to the idea of a pure rock and roll spectacle. They were impossible to ignore. And soon they will be "dead."
    February 19, 2009, Montreal: Myles Deck and the Fuzz are playing the first stop on their first tour to Ontario. During the set, Deck knocks over a man's beers. The man demands Deck buy him more. Deck refuses. The man pulls him off the stage and the crowd starts brawling. The band continues playing and Deck eventually crawls back. The man returns later in a different outfit, comes up to Deck, calls him a douchebag and punches him twice in the head.
    November 7, 2010, 4am, Nova Scotia Music Week, Yarmouth: Myles Deck and the Fuzz play a ferocious set at Dooly's. Hours later the band is loaded, wandering to the floor where the bulk of MNS delegates are sleeping soundly. Bassist Alan Hoskins, in a moment of drunken recklessness, yanks a fire extinguisher off the wall and chases his bandmates down the hall with its powerful chemical spray. A special crew is summoned from Halifax to clean up the mess. Hoskins, horribly embarrassed, personally apologizes to Music Nova Scotia and is fined thousands of dollars for the damage.
    When Myles Deck and the Fuzz get to telling stories, the atmosphere is raucous. While some anecdotes leave them cringing, there's also a palpable sense of glee. They have a good time.
    When the subject of the impending split comes up, however, everyone goes quiet. For Deck, the departure of longtime guitarist Dale Boudreau in August was the final straw, highlighting creative differences as well as a general sense of malaise. "It was a wake-up call," he says. "I was really unhappy and it came out in an ugly way. I just feel that I'm a little burned out."
    It's clear that the rest of the band doesn't feel the same way. "Myles has reasons for ending the band. I had counter-arguments for all of them," says Hoskins.
    Drummer Jordan Oakie, who has the band's logo tattooed on his back, seems most affected. "This band, as far as live performance goes, is at the top of whatever I've done previously," he says. "For five years, this band has been the most important thing in my life."
    January 3, 2009, The Marquee Club, Halifax: At a punk cover show, Deck smears his naked torso with peanut butter and dives off the stage. Instead of catching him, the crowd backs up and he hits the ground.
    Lester Bangs wrote that in the cycle of music, rock never dies, it returns in a different form. This is the way of things in Halifax, and it will remain so for the Fuzz, who are too talented to remain idle. But sometimes there's a certain type of cacophony that won't be captured twice.
    ..
    Myles Deck and the Fuzz Are Dead w/Sleepless Nights and The Grabods
    Saturday, March 19 at Gus' Pub, 2601 Agricola Street, 10pm
    $5
  • "SICK RIFF" reviewed in Halifax's commie rag, THE COAST

    Myles Deck and the Fuzz 

    You Can’t Heal a Sick Riff (independent)

    In what is becoming an increasingly sad tradition of good local bands calling it quits, Myles Deck and the Fuzz recently announced its last show will take place at Gus’ Pub on March 26. I have always admired the Fuzz’s total commitment to sneering, Stooges-styled garage rock and its final release, You Can’t Heal a Sick Riff, is a respectable swan song in this fine tradition. While nothing will top the rippling menace of 2008’s Police Cops seven-inch---one of the best local releases I’ve heard probably ever---this last bit of Fuzz has plenty of fun moments. From lines like “I’m laying waste to the human race” in album opener “El Mariachi” to the undeniably ill bassline that kicks off “Ice Blue Metal,” Riff solidifies the Fuzz’s well-deserved position as one of the city’s most clearly realized, ball-busting, jam-smeared rock ’n’ roll outfits. RIP
  • Noiseography review of "Sick Riff"

    Album Review - Myles Deck & The Fuzz

    Getting ready for the LLTQ Festival Fundraiser this Friday?
    This should get you in the mood...

    MYLES DECK & THE FUZZ - You Can't Heal A Sick Riff
    Album Review
    By Dan Nightingale

    You Can't Heal a Sick Riff starts off with a long single note build up before launching into a mashup of Stooges attitude and vintage garage/surf guitar picking. Shouted back up vocals recall punk classics like the Ramones, but the sound is fresh and complex. This short and sweet intro barely gives you enough to time to grab onto something before piling into “Fan Mail,” a driving blues rock tale of band fame and groupies from the opposite perspective that you might expect from a swaggering rock band.

    The best part of Myles Deck and Fuzz is probably that they fulfill all your punk/garage/rock n' roll desires without seeming cliché or repetitive. The bass driven, hand clap boogie bridge of “Fan Mail” shows that the band knows how to groove, not just bash and smash. Bassist Al Hoskins keeps the band moving without ever missing a single beat, giving vocals and guitars plenty of place to move around in the rhythmic space.

    The vocals are obviously an important part of a band named after a front man, and while the lyrics are best appreciated to provide appropriate rock and roll content (“Don't you know you make it easy / for me to walk right out that door,” or the excellent “Her tommy gun tongue shootin' down my defenses “ from “Hot Tongue, Cold Shoulder”), the arrangements are slick and help the songs stick in your brain. Some of the vocal delivery seems a little flat emotionally, but it almost makes the band seem cooler – you can picture Deck wearing sun glasses and slouching while he sings these songs at you, the coolest kid on the block that everyone wants to be like – but their dads won't let them play in the garage.

    “Holy Roller” shows off more great rolling basslines and tightly synced guitar runs. The guitar tone is crunchy and doesn't loose any punch when it heads off from chords to lead riffs, which is pretty crucial for a single guitar band. “Good Books” shows off a higher vocal range which gives the band a more modern, 00's indie band edge . The song is in the almost ballad range,though it would have a higher contrast to the rest of the album if the tempo on the other songs wasn't all ready a bit slower than standard punk rock – not that this is a complaint; I find the less frenzied snare drum and spaces between beats a welcome change from the “fast as we can” attitude to new punk/garage bands.

    “Ice Blue Metal,” however, provides the perfect exception to the above as it kicks things back into the balls-to-the-wall mode complete with quirky guitar solos and blurring bass runs. The song runs under 2 minutes before returning to the catchy riffing of the similarly lengthed “Billy the Kid,” complete with doo wop back up vocals that might please the Zappa fan and provides a great mash up of all the Fuzz's various influences.

    The album definitely delivers on it's promise of sick riffs, and not just from guitars but from drums, bass, and vocals too. While it's a great album to nod your head and sing along to, it's really more of an attempt to capture the band's live show, I think – being loud and outrageous is a crucial element of the songs, and it's easier to over look the short songs and same-ish tempos and tones when you're jumping up and down and Myles Deck is shouting in your face while swinging a mic stand around.

    Overall this album is a great piece for any fan of good time, party hard rock and roll, and impressive musicianship from all across the board warrants repeat listens, but the best experience of Myles Deck and the Fuzz is likely to come at their live show. The band clearly has major potential in the record area, though, and I'm really looking forward to future output from these guys, when they start to get a little more experimental and maybe combine the ultra-tight riffage with some other instrumentation and some thicker production.

    Check them out this Friday, January 14th at Gus' pub for the Long Live the Queen Fundraiser for all the action.
  • The Fuzz's last stand

    Since 2006, Myles Deck and the Fuzz have been bringing you not-so-quality entertainment.  On March 26th, 2011 we're calling it quits with a final show at Gus' Pub.  Guests that night will be the Sleepless Nights and the Graboids.

    Until then we've got a couple more shows around town.  Stay tuned and thanks for everything.

    Love, the Fuzz.

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